Sound cloud tibetan incantations
They are manifested in actions reminiscent of the methods of the Chinese Cultural Revolution or the absurdity of the Stalinist era.
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#Sound cloud tibetan incantations for free
Journalistic denunciations, media smear campaigns against artists, and ideological hunts for free thought and art result from cowardice and mental laziness.
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The object of destruction is those who ask questions. At the root of the campaign is the false premise that certain representations’ existence in the real world will be removed by means of prohibition. Art is becoming the object of revision, artefacts are being censored, and their creators are being ostracised or exposed to outright aggression. Provocation and affirmation are all too often indistinguishable. Either you have ideas or others fabricate them for you, thus making your work an instrument of their agenda. In art, however, you can't escape politics. Most industrial groups avoid any political involvement. The presence of electro EBM groups, both legendary, such as Vomito Negro, and completely fresh, like Imperial Black Unit, will provide an adequate dose of rhythm for the body and mind alike. Given that, the presence of Lustmord next to Covenant doesn’t appear to be a dissonance here. It seems controversial to the genre’s purists, but movement and dance have never been seen as taboo by the industrial culture. The festival in Wrocław is a broad spectrum of different ways to relate to the audience, build atmosphere, and express things. It turns out that even in genres so hermetic and seemingly impervious to changes as power electronics, progress and quality are possible today, which I believe is attested to by some of the groups we’re going to see this year, namely Kommando, Am Not, and Kontinent. WIF is a place for meetings and exchange of views or goods, and for some, the Gothic Hall is a space for self-presentation or ideological statements. It’s a good thing that the essential Sex Gang Children have become the festival's guests, instead of some Sisters of Mercy epigones. The vision of the goth scene presented by Alexander Nym in his excellent compendium entitled Schillern Des Dunkel seems particularly valuable. Gothicism as a term used in the field of cultural research, predominantly in the history of literature and visual arts, seems to be perfectly justified in the context of the industrial culture. The line-up of many festivals and the cross-section of their audiences prove their affinities and (sometimes) aesthetic analogies. What about goth music at WIF? In fact, industrial and goth are not far apart. Even though the project has never been “industrial”, its attitude and the creative methods it applies make it one the movement’s forerunners. We will see Negativland for the first time in Poland. We will meet newcomers to the scene and also see legendary groups. All shades of music described with the “I” word are represented here. The offer of this year's Wrocław Industrial Festival shouldn’t leave you unsatisfied. It must be emphasised that WIF is still capable of surprising its audiences by showing uncommon and unpredictable things. Diversity, openness to novelty, and respect to the roots are some of the main values underpinning the annual November meetings in Wrocław. WIF has never had to worry about its identity. Most of you present here know that the history of the festival is much longer.
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